If you want to replace your online cloud storage subscription service, you'll likely need four bays or more. Do you intend to use the NAS for simply storing files? If so, what kind of files will you be storing? If you only plan on backing up several devices, you can get away with enclosures with but a few drive bays. When deciding on a NAS enclosure to purchase, you'll need to bear in mind a few factors. An important fact to remember: Intel processors are generally more capable than ARM (basically non-Intel) CPUs. The Synology DiskStation DS120j and TerraMaster F2-221 are fine examples of savings to be had without sacrificing too much on functionality, so long as you only plan on using these servers for file storage. You don't have to spend much to get a good NAS either. For those who want to set up a Plex Media Server (PMS), the QNAP TVS-672XT is what you'll need. If it's not quite what you're looking for, the ASUSTOR NIMBUSTOR 4 (AS5304T) is an excellent second choice. For most people, however, the Synology DiskStation DS220+ is the best choice overall. Numerous vendors make NAS enclosures with some of the best models coming from Synology, QNAP, TerraMaster, and ASUSTOR. Generally, you'll want to steer clear on single-bay NAS enclosures because we always recommend at least two drives to be installed for a RAID configuration to better safeguard against data loss - RAID is a redundancy measure that makes sure if one drive fails, you'll not lose any data. The higher the number of bays, the more drives you can install, and the more capacity you can have for storing all your stuff. The second most important factor in the decision-making for a NAS enclosure is the number of drive bays. These little server units can start at affordable prices, but when you factor in uprated internals, features like M.2 slots, and upgradeable RAM, you can quickly see the price spiral out of control. Find out more about how we test.Ĭhoosing the best NAS for your home is primarily driven by the price of enclosures. Why you can trust Windows Central Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you.
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When the working liquid exceeds the upper limit of liquid level, the liquid discharge solenoid valve will open automatically to discharge the excess liquid. When it meets the requirements, it will close automatically. When the liquid level of the unit is lower than the lower limit, the liquid replenishment solenoid valve will open automatically to replenish liquid to the unit. (2) Electric liquid level control: install liquid replenishment and discharge solenoid valves on the gas-liquid separator. Replenish the working fluid to the unit by manually adjusting the replenishment valve. (1) Manual liquid level control: when the unit is working, the discharged gas will take away a small amount of working liquid vapor, causing the liquid level to drop. There are many options for liquid level control to meet different needs. The gas is discharged to the designated place through the exhaust port of the separator.Ģ. After the liquid is cooled by the heat exchanger, it returns to the vacuum pump through the self suction force of the pump as the circulating working liquid of the pump. (2) It is equipped with a gas-liquid separator, which can effectively separate the gas-liquid mixture discharged by the vacuum pump. In addition to using water as working fluid, liquids such as ethylene glycol, diesel oil and DOP can also be used as working fluid. (1) Equipped with heat exchanger to realize closed circulation of working fluid. The unit configuration is perfect to meet different use requirements. Kenfulai (formerly Fushan pump factory) 2bw5 liquid ring vacuum pump chemical complete set is a complete set of units developed on the basis of 2BE1 and CBF water ring vacuum pumps.ġ. With its modern yet elegant form it performs amazingly in display sizes and headlines. Zona Pro is multifunctional and versatile. It draws inspiration from 1920’s geometric style faces, having clean and highly readable shapes, and mixes it up in the heavier weights with a slight variance in the stroke widths, lending it a grotesque-ish unique and distinctive look. The designer and publisher deserves to be paid for their work.Zona Pro is a geometric sans-serif type family of 8 styles plus matching italics, designed by Kostas Bartsokas in 2013/14. If you really want Zona Pro then click here to visit the download and purchase page on MyFonts to get it with the proper license. It is very unlikely you'll be able to find it for free, you risk getting viruses on your computer, and even if you do find it please remember that it's illegal to use it if you didn't pay for it! Please don't waste your time looking for a free download of Zona Pro. No, every font we feature is a premium, paid-for font. For more previews using your own text as an example, click here. Here is a preview of how Zona Pro will look. The Zona Pro includes the following font families: Zona Pro supports Greek, Western, Central and Eastern European languages, ligatures and special characters. At the same time its really tall x-height makes Zona Pro equally suited for editorials and shorter lines of text in smaller sizes (magazines, newspapers). Zona Pro is a geometric sans-serif type family of 8 styles plus matching italics, designed by Kostas Bartsokas in 2013/14. On Android, the AdBlock Browser (opens in new tab) provides a Firefox-based browser that blocks incoming advertising, while on iOS, the AdBlock Plus app (opens in new tab) integrates with the content blocker system to seamlessly block advertising on Safari with minimal setup.ĭownload AdBlock Plus: Firefox (opens in new tab), Chrome (opens in new tab), Safari (opens in new tab), Opera (opens in new tab), Edge (opens in new tab) 2. AdBlock Plus allows what it calls "non-intrusive advertising" through filters that may irk some users, though this feature can be disabled in settings. Savvy users can chose additional block lists as well as set custom filters or whitelist their favorite sites to keep their ad revenue in the black. ABP features a quick setup, loading preset filter lists that allow users to quickly block most ads, as well as the option to filter malware and social media buttons. AdBlock Plus (ABP) is among the most popular ad blockers, with extensions available for Firefox, Chrome, Safari, Edge and Opera. For more information about AdGuard DNS, visit. Remote for AdGuard DNS is a third-party app and is not directly affiliated to AdGuard. Control protection, blocklist filtering, user rules, parental control, and browsing security Search through your queries in the Query Log with detailed request and response info.Īdd or edit your servers, change some settings, change device details, and more. 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The release includes support for OpenColorlO (OCIO) to simplify the ACES workflow and several stability and performance fixes.ĭeliver into a larger post-production pipeline using color-accurate content with native OCIO support, including Academy Color Encoding System (ACES) workflows.īugs fixed in the February 2023 release (version 23.2)įixed an issue that caused After Effects to crash on Windows when using Chinese characters in text layers.įixed an issue that allowed users to create new C4D layers when Cinema 4D wasn’t installed.įixed an issue that caused an error when saving the project with a media replacement control and a track matte.įixed an issue that caused After Effects to hang after presenting modal dialogs.įixed an issue that caused a delay in closing After Effects projects.įixed an issue that caused After Effects to crash when enabling any of the Simulate Output profiles with HW acceleration enabled.įixed an issue that prevented users from canceling an ongoing import of media files into the project.įixed an issue that slowed or interrupted CAF processing when Cache Frames When Idle was active.įixed an issue with Selectable Track Mattes when clicking and dragging on Alpha/Luma/Invert icons didn’t change settings on multiple layers.įixed an issue that prevented AErender from showing progress with interlaced render settings. The February 2023 (23.2) release presents a new feature and user-requested workflow improvements that enable you to work more efficiently in After Effects and design even the finest details without compromising your creative vision. Unsupported format or damaged file."įixed an issue that caused After Effects to crash when using Roto Brush version 2.0 and Quality set to Best on macOS Ventura (version 13) on Apple silicon hardware. Bugs fixed in the February 2023 release (version 23.2.1)įixed an issue that could cause layers and keyframes to update slowly while being moved around the timeline.įixed an issue where MXF files with non-English filenames failed to import, instead showing an error - "Failed to import. A step forward for dual-screen mobile productivity with Surface Duo 2.An upgrade to our iconic 2-in-1 family with a redesigned Surface Pro 8, new Surface Go 3 and updates to Surface Pro X.A fresh take on our powerhouse laptop with the new Surface Laptop Studio.With PixelSense displays, new pen technology, premium mics and cameras, powerful silicon and versatile form factors, the new Surface devices are designed to take Windows innovation to the next level. Today, on the threshold of Windows 11, we are revealing the largest update to the Surface portfolio in its history. And for the last decade, Surface has been at the forefront – challenging convention, pioneering new experiences and creating entirely new categories of devices. This idea was the catalyst for Surface – to build hardware that would not only be a stage for Windows but push the platform and the ecosystem forward.Įach new version of Windows unlocks the next generation of hardware innovation. Throughout our history as Surface, we have seen that the most meaningful experiences come from innovation at the intersection of hardware and software. From the first mouse that unlocked point and click productivity to the 2-in-1 that brought touch displays, inking and a variety of modern capabilities, Windows and devices have together redefined what’s possible on a PC. As Windows reshaped computing experiences, new hardware products have helped more and more people interact with them. Windows has always been a platform for the world’s innovation – a place for anyone to create, connect, learn and achieve. The Tiny serves as the signal generator, spectrum analyzer, and return loss bridge (RLB) all in one package that isn’t much larger than just a decent RLB alone. The Tiny has two SMA connectors, labeled “DUT” and “DET.” For tests using the reflection mode, you only have to utilize the DUT port. I’m working on a way to use rechargeable AA batteries and a USB hub to resolve that issue. My Samsung 10.1 Tab wasn’t able to provide quite enough power through the port to keep the Tiny awake. You just need an On-The-Go (OTG) adapter for your Android device in order to be able to connect the Tiny as a peripheral device. You can also power and operate it with an Android tablet using the freely downloadable Android app called “BlueVNA,” provided the USB port is capable of driving a high-powered device - the Tiny does require quite a bit of juice in order to do its job. Okay, so carrying around a laptop means the setup for testing antennas and filters isn’t quite so tiny in the end, but take my word for it: it’s well worth carrying around a laptop in order to use the MiniVNA Tiny. The unit requires no batteries, drawing its operating power right from the USB connection to a computer. But it packs a lot of functions in a little box that can easily fit in your shirt pocket with room to spare. As you can see in the photos, it’s small. Before purchasing my MiniVNA Tiny, I had a few questions about the device, which I must say that Ralph at was very quick and courteous to respond to in excellent fashion. Plus, it does things other things that those other handheld and portable analyzers can’t or don’t do, such as a highly stable and accurate signal generator mode, a beacon mode with several nice features including easily programmable CW beacon message, and a host of other functions. With its ability to perform a myriad of antenna and filter tests from HF all the way up to 3.3 GHz (continuously), it more than easily replaces all the previous portable antenna analyzers in my toolkit - and then some. I must say that I am beyond pleased with this nifty little device. I recently added the new MiniVNA Tiny to my lineup of tools here in the KK4ICE shack and workshop. This post is a combination of a review of the MiniVNA Tiny analyzer and the results of using it to test another set of 6 Meter, 3 Element beams I built. “We were thrilled by the response to DeepPRIME in DxO PhotoLab 5, but we knew we could do more” explains DxO’s VP of Marketing and Product Strategy, Jean-Marc Alexia. The original DeepPRIME mode will still be available for users who want a faster overall enhancement on images that need fewer adjustments. The company also says that since it is connected directly to the RAW conversion process, the DeepPRIME XD can also increase the dynamic range in RAW files allowing photographers to have greater flexibility when shooting in low-light situations. Meaning an image shot at 4,000 ISO will look closer to an image captured at 500 ISO in terms of color, clarity, and overall noise. The company says the DeepPRIME XD uses a neural network that has been trained using billions of image samples and can provide photographers improvements of more than 2.5 stops. Leveraging machine learning, the software can remove noise, retrieve previously unseen details, and restore vibrant natural colors to images that would have otherwise been archived and unused. The most prominent feature in this latest flagship edition of DxO PhotoLab(6) is DxO DeepPRIME XD (Extreme Details), an AI-powered RAW conversion technology that, according to the company, “redefines industry standards for denoising and detail enhancement.” This new mode will allow for much greater detail retention and noise reduction in photographers’ RAW files shot with high, and extremely high ISO settings. PhotoLab 6 adds powerful new artificially intelligent (AI) technology to its denoising, advanced color management, improved retouching tools, and several refinements to its library system, while ViewPoint 4 adds a new powerful ReShape tool for local adjustments, improved cropping and rotation, better guides for enhanced alignment, a more refined user interface, and the addition of full Apple Silicon support. For example, placing clouds from a sunset on top of a noon-day photo is difficult to do without it looking unnatural.Īlso, try your best to match the “weather” of a scene. Pay attention to the approximate time of the day your images were captured, because it is very difficult to seamlessly combine images from completely different parts of the day. Try to match source and target images roughly in these four categories: If you have a beautiful stock image of a sky that was photographed at 24mm or 16mm, it may look out of place if you try to put it on a telephoto image, shot at 85mm or greater. If your primary image doesn’t have a clear horizon, you have a lot more wiggle room in selecting the clouds you would like to use.Īnother thing to pay attention to is the approximate focal lengths of the images that are being combined. We’ve provided all of our Cloud Pack images with horizons present within the image so that this is possible with any scene you choose to integrate into your own. One thing that is rarely mentioned in other Photoshop tutorials is that it is preferable to make the horizons in both images line up with each other. So, when you are merging a beautiful, cloud-filled sky with your foreground, always remember to adjust each source layer for color, tone, and contrast separately (we will explore this further in the following tutorials). Even the most subtle differences in color, brightness, or contrast will make your final image look unnatural. Match The Mood And Post ProcessingĪnytime you combine two photos, the post-processing needs to match as closely as possible. Follow them and you’ll be off to a great start every single time you begin to blend your images together. When adding clouds to a scene, we have five tips that will be helpful for you to keep in mind in order to create seamless, natural looking images. Part 1 | Tips for Adding Realistic Clouds with Photoshop We’ll then teach you how to Insert Clouds with Basic Layer Masking. In this 2 part tutorial, we’ll first review some Tips for Adding Realistic Clouds with Photoshop. 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